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Kayla N. Olive

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City, State, Zip
(276) 245-5724
Fine Art and Graphic Design

Kayla N. Olive

Kayla N. Olive

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  • Fine Art
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   Harvesting Lines    Mixed Media  6’x8’  2020

Capering: MFA Exhibition

Capering: MFA Exhibition

   Harvesting Lines    Mixed Media  6’x8’  2020

Harvesting Lines

Mixed Media

6’x8’

2020

   Contrasting Crevice    Mixed Media  6’x8’  2020

Contrasting Crevice

Mixed Media

6’x8’

2020

   String of Steps    Mixed Media  6’x8’  2020

String of Steps

Mixed Media

6’x8’

2020

   Bouldering Dance    Mixed Media  6’x8’  2020

Bouldering Dance

Mixed Media

6’x8’

2020

   Poding    Mixed Media  6’x8’  2020

Poding

Mixed Media

6’x8’

2020

   Rusty Twofold    Mixed Media  6’x8’  2020

Rusty Twofold

Mixed Media

6’x8’

2020

   Wrinkle in Paint    Mixed Media  6’x8’  2020

Wrinkle in Paint

Mixed Media

6’x8’

2020

   Clumping Glissades    Mixed Media  6’x8’  2020

Clumping Glissades

Mixed Media

6’x8’

2020

   Slagging Marks    Mixed Media  6’x8’  2020

Slagging Marks

Mixed Media

6’x8’

2020

   Dancing Paper    Mixed Media  Dimensions Variable  2019

Dancing Paper

Mixed Media

Dimensions Variable

2019

   25 of 50    Mixed Media  5”x7”  2019

25 of 50

Mixed Media

5”x7”

2019

   Hidden   (closed)  Brass, Paper, Watercolor  Dimensions Variable  2020

Hidden (closed)

Brass, Paper, Watercolor

Dimensions Variable

2020

   Hidden   (open)  Brass, Paper, Watercolor  Dimensions Variable  2020

Hidden (open)

Brass, Paper, Watercolor

Dimensions Variable

2020

   Mental Tower   (closed)  Silver, Paper, Watercolor  Dimensions Variable  2020

Mental Tower (closed)

Silver, Paper, Watercolor

Dimensions Variable

2020

   Mental Tower   (open)  Silver, Paper, Watercolor  Dimensions Variable  2020

Mental Tower (open)

Silver, Paper, Watercolor

Dimensions Variable

2020

   Across the Floor   (Detail)  Mixed Media  Dimensions Variable  2020

Across the Floor (Detail)

Mixed Media

Dimensions Variable

2020

   Across the Floor    Mixed Media  Dimensions Variable  2020

Across the Floor

Mixed Media

Dimensions Variable

2020

   Across the Floor   (Detail)  Mixed Media  Dimensions Variable  2020

Across the Floor (Detail)

Mixed Media

Dimensions Variable

2020

 L to R:   Contrasting Crevice, Harvesting Lines, and String of Steps

L to R: Contrasting Crevice, Harvesting Lines, and String of Steps

 L to R:   Poding, Rusty Twofold, and Bouldering Dance

L to R: Poding, Rusty Twofold, and Bouldering Dance

 L to R:   Clumping Glissades, Wrinkle in Paint, and Slagging Marks

L to R: Clumping Glissades, Wrinkle in Paint, and Slagging Marks

 L to R:   Hidden, Mental Tower, Across the Floor, and Dancing Paper

L to R: Hidden, Mental Tower, Across the Floor, and Dancing Paper

Kayla Olive is a graduating Master of Fine Arts student at the University of South Carolina. Her 2020 MFA Exhibition, Capering, was canceled due to COVID-19. Because of this, the School of Visual Art and Design is hosting the works in Capering online.

Capering

An MFA Exhibition by Kayla Olive

Capering stems from my childhood memories of play, using my dance background as both an inspiration and process for creating. Using my feet and ballet shoes as brushes, there is a repetitive nature to the gestural marks I make painting that is similar to the repetition required in ballet. I have created a body of work for exhibition that consists of nine large paintings that are 6’x8,’ one wall installation that is 10’x8,’ 50 small 5’x7’ paintings, and four folded sculptural paintings of varying sizes. Each of these paintings depict orbed forms inspired by my toes. These paintings, with the exception of the sculptural paintings on paper, are on loose canvas using watercolor, acrylic paint, colored pencil, and oil pastel. Dancing on my paintings was a way to record large full body gestural movements. The full body marks can be seen in relationship to smaller marks made from my shoulder, elbow, and wrist. Throughout this past year, I explored and experimented with a vast range of color palettes, compositions, and a variety of mark-making tools. I learned that happenstance can be intentional, and that one can flow freely back and forth between the two during the creative process. While I did research into cultures and time periods, I procured the most helpful information from inquires of myself.

Kayla N. Olive

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